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OALib Journal期刊
ISSN: 2333-9721
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Image and Narrative : Online Magazine of the Visual Narrative
ISSN Print: 1780-678X
ISSN Online:
主页:
http://www.imageandnarrative.be/
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Réflexions sur le manga éducatif
Julien Bouvard
David Martens, L’Invention de Blaise Cendrars. Une poétique de la pseudonymie, Paris, Honoré Champion, Cahiers Blaise Cendrars , no. 10, 295 p.
Jér？me Meizoz
Television Dramas as Memory Screens
Teresa Forde
Seeing the Past/Reading the Past
Karen Bassi
Lolicon: The Reality of ‘Virtual Child Pornography’ in Japan
Patrick W. Galbraith
Subverting masculinity, misogyny, and reproductive technology in SEX PISTOLS
Jessica Bauwens-Sugimoto
A different kind of cultural frame: An analysis of panels in American comics and Japanese manga
Neil Cohn
Spitting Image and Pre-Televisual Political Satire: Graphics and Puppets to Screens
Kiene Brillenburg
Video Installation, Memory and Storytelling: the viewer as narrator
Diane Charleson
European Locations Dreamed with a Limited Imagination
Samantha Donnelly
Ephemeral Art: Telling Stories to the Dead
Mary O’Neill
Belgian Photography: Towards a Minor Photography.
Jan Baetens
,
Hilde Van Gelder
,
Mieke Bleyen
Remixing Memory through Home Movies
Shaun Wilson
Television and memory: history programming and contemporary identities
Erin Bell
The surrealist book as a cross-border space: The experimentations of Lise Deharme and Gisèle Prassinos
Andrea Oberhuber
Cinema, Contingencies, Metaphysics
Peter Kravanja
Introduction
Teresa Forde
Naissances de la bande dessinée de William Hogarth à Winsor McCay
Pascal Lefèvre
Le récit dans l’image : séquence, intrigue et configuration
Rapha？l Baroni
Spectral bodies, temporalised spaces: Agnès Varda's motile gestures of mourning and memorial.
Jenny Chamarette
Cream Soda. The rhythm of everyday life
Eleonora Benecchi
The Phenomenology of Contemporary Mainstream Manga
Valérie Cools
Understanding scanlation: how to read one million fan-translated manga pages
Lev Manovich
,
Jeremy Douglass
,
William Huber
Hillary Chute's Ambivalent Idiom of Witness
Charlotte Pylyser
Pour une lecture postcoloniale de la bande dessinée Ile Bourbon 1730 (2006) de Appollo et Lewis Trondheim.
C(h)ris Reynschi-Chikuma
On The Iconic Difference between Couple Characters in Boys Love Manga
Febriani Sihombing
La double-page chez Hirohiko Araki : l’ubris faite norme
Aurélien Pigeat
Learning from Monsters: Mizuki Shigeru's Yōkai and War Manga
CJ (Shige) Suzuki
Mazohizumu no mon: Masochistic and Sadistic Representations of Women in Japanese Exploitation Films and Reidissu komikku.
Emerald King
Sarah Sepulchre, dir. Décoder les séries télévisées.
Jan Baetens
Relating the Story of Things
Patricia Allmer
The Power of Tableaux Vivants in Zola: The Underside of the Image
Arnaud Rykner
La mise en image de La Chaumière indienne par Léon Curmer
Els Jongeneel
The Lives of Others: re-remembering the German Democratic Republic.
Margaret Montgomerie
,
Anne- Kathrin Reck
Language as the visual: Exploring the intersection of linguistic and visual language in manga
Giancarla Unser-Schutz
Nostalgic [re]remembering: film fan cultures and the affective reiteration of popular film histories.
Nathan Hunt
Introduction
Jonathan Carson
,
Rosie Miller
Scrapbook (a visual essay)
Jonathan Carson
,
Rosie Miller
Dancing Across-Cultures in Eitan Anner’s Half Russian Story
Klarina Priborkin
H tel Latone. La photographie en déplacement
Olivier Mignon
Landmasses and Railways, Bertrand Fleuret
Jan Baetens
Peter Downsbrough. Espaces entre livre et photographie
Alexander Streiberger
Rita Raley - Tactical Media
Jan Baetens
Le dépliant : un format pour des images recomposées
Didier Mathieu
Dick Jewell’s Found Photos
Ian Walker
Ari Folman’s Waltz With Bashir and the Limits of Abstract Tragedy
Nicholas Hetrick
Evita, the Society of the Spectacle and the Advent of the Megamusical
Vagelis Siropoulos
New Horizons: Cognitive and Narrative Approaches to US Ethnic and Postcolonial Film, Animation, Graphic Novel, and the Arts
Frederick Luis Aldama
"Oh no, not again": representability and a repetitive remark
Matt Tierney
Déchirer la fiction. Le livre d’artiste pour apprendre à lire la photographie
Leszek Brogowski
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