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OALib Journal期刊
ISSN: 2333-9721
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Musicianship among the Gypsies and the Effect of Changing Social Conditions on the Musician Identity
Melih DUYGULU
Professional Structures and Livelihoods of Romany in the Ottoman State, According to the Temettuat Registers
Muhammed TA?
Families of Prisoners between “Inside” and “Outside”
?pek MER??L
The Uncanny Sounds Emanating from the Social Body: The Aesthetics of Gezi or the ‘ticktickticktickticktick’s
Burak üZüMKES?C?
Image of Sound / Sound of Image
Berna KARA?ALI
“Magnetic Voice”: Resonance and the Politics of Art
Nermin SAYBA?ILI
Approaching Gypsies / Roma in the Ottoman Empire: Problems and Prospects
Faika ?EL?K
Carmen -Loves of Carmen would not Last more than Three Months
Mehmed RAUF
Cacophony: Revealing The Noise of Control
Ebru YET??K?N
Aesthetics of Silence and the Ethics of Voice: The Soundscape of Asghar Farhadi’s Cinema
Bü?ra KILI?
Ko?ers from Mardin
Belma O?ul KURT??O?LU
,
Mahir MAK
An Example to the Metonymic Expressions Related to Gypsies in the Sample of Turkish Dialects: “GYPSIES ARE STINGY”
Hüseyin YILDIZ
Refusing Into-Nation: An Inquiry about Voice, Politics and Resistance
Ege AKDEM?R
The Silence of Civilization: Voice in the 1930s Etiquette Books Published in Turkey
Tülin URAL
Nomadic Soundscapes as Threshold Spaces
Sena KARAHAN
Voices-Silence of Istanbul Jews in The Col- lective Traumatic Memory
?zgür KAYMAK
Gypsy Music
Kurt STRIEGEL
Creating a Lady from a Gypsy
Arus YUMUL
Voice of My Father: “An Unrepressed Inner Voice” in Our Collective Memory
P?nar Y?ld?z
An Ethnomusicological Perspective to Soundscape Studies
E ?irin ?ZGüN
“The Whole World is Talking About Gypsies ”: Post-Fordism, Creative Industry, and World Music
Gonca G?RG?N
The State and “Gypsies” in the Late-Ottoman Empire: The Issues of Tax, Military Service and Denomination
Sonic Etiquette: Domestication of Acoustic Neighbourhood Relations in Istanbul1
Meri KYT?
Historical Trajectory Of Eavesdropping: Cul- tural Techniques, Sound Technologies And Acoustic Control
Sidar BAYRAM
The Gypsies
Selahaddin EN?S
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