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OALib Journal期刊
ISSN: 2333-9721
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ISSN Print: 2636-784X

ISSN Online:

主页: http://dergipark.org.tr/sinecine

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THE EFFECT OF SOUND DESIGN ON NARRATIVES IN COMEDY: THE EXAMPLE OF A？LE ARASINDA

Ankara International Film Festival: Thirty Years, Three Opinions

THE STRUGGLE OF WOMAN AGAINST HOLY NARRATIVES: THE FEMALE CHRIST FIGURE IN BREAKING THE WAVES

RABBITS’ EYES VIEW, INVOLVING RABBITS: A DIFFERENT KIND OF BERLIN WALL DOCUMENTARY

New Books

FAITH AND ALIENATION IN THE SHADOW OF POWER: THE DEVILS

ZEK？ DEM？RKUBUZ F？LMLER？NDE ARZU VE ？HANET

South Korean Government's Cultural Policies and Regulations For the Movie Industry

The Last Visit of The German Emperor Wilhelm II to The Ottoman Empire (1917)

Researching Past Cinema Audiences: Archives, Memories and Methods

AN ANGEL IN HELL: ARTUR BRAUNER AND THE ATTEMPT TO MAKE A GERMAN OSKAR- SCHINDLER-BIOPIC

New Books

Urban Transformation in Turkish Cinema of The 2000s

REGULATING EXHIBITIONS AT CINEMA-HOUSES IN IMPERIAL ISTANBUL

Author Guidelines

？imdiki Zaman: Analyzing Women Characters' Representation in Spaces Within the Scope of Feminist Film Criticism

City and Anti-Spectacle: Cine-Mythic Images of Istanbul

Cinema History of the Ottoman Empire and Modern Turkey: Method, and Approaches

AMBIGUITIES AND DOUBLE VOICES IN BARRAVENTO

The Fiction of an Alternative World in The Brand New Testament: The Fatherhood Crisis and Matriarchal Utopia

Diary For My Loves: Notes From Márta Mészáros To The History

The Historical Film As Real History

What Do the Digital Methods, and Tools Promise for Studies of the History of Turkish Cinema?

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