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OALib Journal期刊
ISSN: 2333-9721
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Visual Studies

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主页: http://journals.uni-vt.bg/vr/eng/

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Hypostasis and an Icon

Anti-conformism and Art. Conceptual Construction

“New Art” and “New School”. (From “New School” magazine, 1910)

Reading Martin Jane’s “Skopic Regimes of Modernity”

Guidelines for Authors

The Turnovo Period of the Children’s Magazine ‘Mladina” (1891–1915). Artistic Aspects

Publication Etiquette and Ethics

Tool and Form (I). Some Observations on the Graphic Design in Context of the Contemporary Visual Communication and Culture. Attempting For Short Summary and Systematization

The First Pottery Schools in Bulgaria – Foundation of the Contemporary Ceramic Sculpture

The Bulgarian Monumental Sculpture оf the XXI Century. The Public Significance of the Monument

Educational Models in the National Academy of Art (1960–2000)

The Functions of Colour in the Soviet Cinema Films in 60s of 20th Century

Interpretation of Cultural Heritage by Visual Research in Real, “In Situ” and Museum Environment

Boris Denev as a Publicist. The Artist’s Feuilletons

Sections, associations and groups of Bulgarian textile artists in the postmodern situation

Tissage sans tissu. Le regard vers l’Ouest des artistes en Bulgarie à la fin des années 1960 et au début des année 1970

The Ancient Model – an Aesthetic Program and Method of Teaching During the 17th Century

Intermedia – (Not Only) The Visual in the Hypertext of Contemporary Art

The Role of the Advisor for the Gallery Guggenheim Jeune Establishment in London (1938–1939). The Cultural Stage at London in the End of the 30th Years of the XX Century and the Place of Peggy Guggenheim in it

Specification and Main Paper Quality Parameters

The Global Nomadic Art Project (Gnap) In Bulgaria

Visual Noise as a Painting Method. An Attempt to a Manifesto

Woodcarvings in Temples “St. Dimitar” and “St. app. Peter and Paul” in Svishtov

Bible Messages in the Vitrages of Marc Chagall

Wood Carved Ceilings during The Bulgarian Revival

The Authors in this Issue

Visual Studies Volume 2/2018

Motifs and Symbols in Bulgarian National Rivival Iconostasis

Table of Content

Orientalism and Social Sensibility in the Work of Konstantin Velichkov

The so Called Visual Turn of Contemporary Culture – Myth or Reality?

Andrey Protich – Progenitor of the Bulgarian Art Knowledge School

Phenomenological Drawing – Concept

New Data about the earliest Icons by the Iconographers Nikola Vasilev and Vasil Hristov Bedelev from Shumen

The Ekorshe as a Method and Aesthetic Program

Monumental Rock Images from Megalite Sanctuaries from Balkans

Aesthetic and Artistic Paradoxes

Publication Etiquette and Ethics

Types of Drawings in the Italian Renaissance. Prerequisites to Transform a Drawing into Autonomous Artwork

Authors in the Issue

The Monumental Characteristics in the Sculptural Sketches of Lyubomir Dalchev from the Period 1963–1979

Early matrix forms of Letterpress printing in Graphics

On the Border of Medium – On the Border of Discourse. Transmedia Practices in the Field of Abstract Geometry

Contemporary’s Art Objects Between Fine and Applied Arts

The Children’s Creativity from Primary, Pre-school and School Education

Sculpture and Its Environment: Relations in the Context of Open Spaces in Bulgarian Symposium Practices

The Process of Interpretation and its Role in Art

Creative Realisation of Vasil Stoylov in the Period (1927–1929)

International Movement for Didactic through Art – Utopia or the Future of the School

Tangra Magic Space – The Act of Insight into the Art of Vesselin Dimov

©2008-2020 OALib, Inc | Public user content licensed CC-BY 4.0 unless otherwise specified. OALib ISSN Online: 2333-9721 OALib ISSN Print: 2333-9705