Journal of Art Historiography - oalib

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Journal of Art Historiography

ISSN Print: 2042-4752

ISSN Online:

主页: http://arthistoriography.wordpress.com/

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Formalism in the first half of the twentieth century: ‘pure science’ or a case of effective rhetoric? Mitchell B. Frank and Daniel Adler (eds), German Art History and Scientific Thought – Beyond Formalism, Ashgate, 2012

Arnold Witte

‘The Mirage of Islamic Art: Reflections on an Unwieldy Field’, The Art Bulletin, 85(1), 2003. Reproduced by permission of the authors and the College Art Association.

Sheila S. Blair,Jonathan M. Bloom

W lfflin, Architecture and the Problem of Stilwandlung

Alina Payne

Welcome to the revolution: The sensory turn and art history

Jenni Lauwrens

From Ringbom to Ringbom: The art of art history of Lars-Ivar Ringbom and Sixten Ringbom: A mythmaker and a myth-breaker in bo, Finland

Marja V？？t？inen

The “Second” Vienna School as Social Science

Ian Verstegen

Riegl on the Baroque

Ute Engel

Meyer Schapiro on style in art and science: Notes from a Theory and Methods of Art History graduate seminar lecture course, Columbia University, New York, 1973

Terry Smith

Exhibiting Western Desert Aboriginal painting in Australia’s public galleries: an institutional analysis, 1981-2002

Jim Berryman

”Art and psychoanalysis – 15 June 1988. Speakers: Professor Joseph Sandler and Professor Sir Ernst Gombrich”, part of the series “Dialogues on Contemporary Issues” hosted by the British Psycho-Analytical Society in the summer term of 1988

Rachel Dedman (ed.),Joseph Sandler,Ernst Gombrich

‘Studying Islamic Architecture: Challenges and Perspectives’, Architectural History, 46, 2003. Reproduced by permission of the author and the Society of Architectural Historians of Great Britain

Robert Hillenbrand

Questioning the “classical” in Persian painting: models and problems of definition

Christiane Gruber

Virtual Pilgrimages in the Convent. Kathryn M. Rudy, Virtual Pilgrimages in the Convent. Imagining Jerusalem in the Late Middle Ages (Disciplina Monastica. Studies on Medieval Monastic Life 8), Brepols, 2011

Catherine Oakes

Alexander Conze, “Greek Relief Sculpture”. Originally published as ‘über das Relief bei den Griechen’, Sitzungsberichte der K niglich Preussischen Akademie der Wissenschaften zu Berlin. Gesammtsitzung vom 25. Mai, 1882, no. 26, pp. 1-15 (pp. 563-577).

Karl Johns (trans & ed.)

Tables for ‘Art History in the University II: Ernst Guhl’

Eric Garberson

Towards digital Islamic art history’

Hussein Keshani

The Concept of Islamic Art: Inherited Discourses and New Approaches’, in Beno t Junod, Georges Khalil, Stefan Weber and Gerhard Wolf, eds, Islamic Art and the Museum, London: Saqi, 2012. Reproduced by permission of the author and publishers

Gülru Necipo？lu

”Theory, Method & the Future of Pre-Columbian Art History”, 100th Annual Conference of the College Art Association - Los Angeles, California - February 24, 2010” Contributors: Cecelia F. Klein, Introductions; Esther Pasztory, ‘Pre-Columbian Art and World Art History’; Mary Miller, ‘Now You See It, Now You Don’t: Pre-Columbian Art in the American Museum . . . and in the Academy’; Elizabeth Hill Boo

Cecelia F. Klein,Esther Pasztory,Mary Miller,Elizabeth Hill Boone

Just what is it that makes English artwriting so different, so appealing?

Douglas Fordham

Restoring Charlemagne’s chapel: historical consciousness, material culture, and transforming images of Aachen in the 1840s

Jenny H. Shaffer

Czech art history and Marxism

Milena Bartlová

The historiography of Ottoman velvets, 2011-1572: scholars, craftsmen, consumers

Amanda Phillips

The Islam in Islamic art history: secularism and public discourse

Wendy Shaw

When sculpture became more than “something you bump into when you back up to look at a painting”’. Christopher R. Marshall (ed.), Sculpture and the Museum, Ashgate 2011

Antonia Bostr？m

Transforming the “unimaginative and literal” into an art for the nation: writing and exhibiting New Zealand’s art history in the twentieth century

Rebecca Rice

Aby Warburg, Images and Exhibitions. Aby Warburg, Bilderreihen und Ausstellungen edited by Uwe Fleckner and Isabelle Woldt, Akademie Verlag, 2012

Matthew Rampley

History in the making: the ornament of the Alhambra and the past-facing present

Lara Eggleton

A history of Ottoman art history through the private database of Edwin Binney, 3rd

Keelan Overton

Interrogating interiors. Denise Amy Baxter and Meredith Martin (eds), Architectural space in eighteenth-century Europe: Constructing identities and interiors, Ashgate, 2010

Mimi Hellman

”A special place at a special time”: Fran oise Henry's diaries on Inishkea North (Ireland). Janet T. Marquardt (ed.), Fran oise Henry in Co. Mayo. The Inishkea Journals, Four Courts Press, 2012

Ana Hernández

Introduction: Historiography of Islamic art and architecture, 2012

Moya Carey,Margaret S. Graves

Mediterraneanism: how to incorporate Islamic art into an emerging field

Mariam Rosser-Owen

Islamic Architecture as a Field of Historical Enquiry, AD Architectural Design, 74(6), 2004 Reproduced by courtesy of the publishers John Wiley & Sons Ltd.

Nasser Rabbat

What do we mean when we say “Islamic art”? A plea for a critical rewriting of the history of the arts of Islam

Avinoam Shalem

Unexpected Turns: The Aesthetic, the Pathetic and the Adversarial in the Long Durée of Art’s Histories

Griselda Pollock

Book received: Jerzy Malinowski (ed.), History of Art History in Central, Eastern and South-Eastern Europe, 2 vols, Toruń: Society of Modern Art and Tako Publishing House, 2012

Jerzy Malinowski (ed.)

Location and the experience of early Netherlandish art

Jeanne Nuechterlein

Ornament and object—ornament as object. Alina Payne, From Ornament to Object: Genealogies of Architectural Modernity, Yale University Press, 2012

Spyros Papapetros

Mehmet A a-O lu and the formation of the field of Islamic art in the United States

Zeynep Simavi

Medieval Art studies in the Republic of Letters: Mabillon and Montfaucon’s Italian connections between travel and learned collaborations

Francesco Russo

Art History in the University II: Ernst Guhl

Eric Garberson

Regarding the exhibition: the Munich exhibition Masterpieces of Muhammadan Art (1910) and its scholarly position’

Eva Troelenberg

Arthur Upham Pope and his “research methods in Muhammadan art”: Persian carpets

Yuka Kadoi

'Carl Justi: Modern Errors’. Johannes R ler, Carl Justi. Moderne Irrtümer, Briefe und Aphorismen, Matthes & Seitz, 2012

Eric C. Garberson

‘From the Prophet to Postmodernism? New World Orders and the End of Islamic Art’, in Elizabeth Mansfield, ed., Making Art History: A Changing Discipline and its Institutions, London and New York: Routledge, 2007. Reproduced by permission of the author and publishers.

Finbarr Barry Flood

Making and matching: aesthetic judgement and the production of art historical knowledge

Francis Halsall

Images for 'Location and the experience of early Netherlandish art’

Jeanne Nuechterlein

Feeling uncomfortable in the nineteenth century’

Margaret S. Graves

Asar-ul-Sanadid: a nineteenth-century history of Delhi’

Fatima Quraishi

Disegno versus Disegno stampato: printmaking theory in Vasari’s Vite (1550-1568) in the context of the theory of disegno and the Libro de’ Disegni

Barbara Stoltz

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